Showing posts with label 2020. Show all posts
Showing posts with label 2020. Show all posts

June 3, 2022

Creem: The Alternative Music Magazine Which Gained Readership Among the Trendy

I follow a guy on Twitter called DrPopCultureBGSU from Bowling Green, Ohio. He happens to share a TON of interesting pop culture images. The other day, he shared a picture of seventies pop music idol Andy Gibb (initially, I wrote Barry Gibb which was a mistake ... sorry!) wearing a muscle-shirt (even though he was a skinny kid who didn't really have very big muscles) with an image that struck me: Creem magazine. 



Creem magazine was an alternative to Rolling Stone magazine or Billboard back in the seventies with a somewhat provocative title that evoked porn during a period when even THAT was still pretty taboo in mainstream culture, only the magazine's music coverage was unique in that it covered hard-rock, punk, alternative and new wave music which Rolling Stone and Billboard did not dare touch until those bands had already made it to the Billboard top 40. Creem began in 1969 (the year I was born), and continued publication until 1989. Its peak was arguably during the seventies.

 




 



I was listening to groups like Blondie, The Ramones, and Martha Davis and The Motels, or if I was feeling up to something a bit harder with more guitars, Iron Maiden or Def Leppard, while Rolling Stone was covering my parents' (Baby Boomer) music like Bob Dylan and James Taylor which we kids felt was more of a sedative.

Indeed, Creem was based in Detroit which most people believe gave it an editorial edge, hence its musical coverage was different from a New York or Los Angeles-based magazine likely was. As a result, Creem was favored by many people who didn't really like or consider reading mainstream musical coverage. Creem was edgy. The magazine covers were provocative, and article headlines were irreverant.

I also grew up on a street where the litter-bugs of the world literally threw Creem and other magazines out their car windows, so as kids we got to see Creem and read it. Initially, it looked like porn, but when I actually read it, I was impressed with Creem's musical coverage because it covered bands I actually listened to on college radio stations in the seventies into the early eighties. Creem spoke to me in a way that mainstream music magazines did not. Rolling Stone was for our parents, yet Creem was listening to what I listened to.



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Apparently, Creem magazine is enjoying something of a resurgence thanks to a hit 2020 Netflix documentary called "CREEM: America's Only Rock 'n' Roll Magazine". The trailer for that film can be seen below, or at https://youtu.be/GUcCMNRTZpI:



Perhaps as noteworthy as the documentary, the old magazine now has a newly available digital archive where the old issues can be read again online (find it at https://archive.creem.com/ to read some of Creem's old coverage).

Which brings me to the Andy Gibb Creem picture. Sure, Andy Gibb was a teen idol at the time, but he was also an image of youth, and no mainstream music magazine was focused on youth at the time, they were all aging with Baby Boomers. They were becoming Yuppies.

The revival of Creem magazine was a passion product of JJ Kramer, the son of the magazine's founder, the late Barry Kramer.  The original Creem magazine ceased publication in 1989. I was in college in the Boston area at the time. There were still other (now defunct) publications, such as Boston-based newspaper The Phoenix (and its radio station WFNX which sadly, today, is a lame country station which I would never listen to) which I read instead of Creem because it had news of bands which were coming to and/or playing around Boston at the time.

Anyway, Creem's resurgency is having it's day in the sun. From the Creem documentary website:

Capturing the messy upheaval of the '70s just as rock was re-inventing itself, the film explores Creem Magazine's humble beginnings in post-riot Detroit, follows its upward trajectory from underground paper to national powerhouse.

Then it bears witness to its imminent demise following the tragic and untimely deaths of its visionary publisher, Barry Kramer, and its most famous alum and genius clown prince, Lester Bangs, a year later.

Fifty years after publishing its first issue, "America's Only Rock 'n' Roll Magazine" remains a seditious spirit in music and culture.

 

Be sure to catch the Netflix documentary "CREEM: America's Only Rock 'n' Roll Magazine". It will be an interesting flashback to a time when music journalism was still in print.

December 31, 2019

CB Radio Fad of the Mid 1970's

In the mid-1970's, mobile phones weren't even invented yet. The few who actually had "car phones" at the time had special, analog radio phones, but those were so large they had to be hard-wired into the car and so power-hungry they needed access to the car’s alternator for power. Mobile service was controlled by the Ma Bell monopoly and the cost was prohibitively expensive. Plus, no one was carrying them around in their pockets. But, there was kind of an analog alternative: the Citizens Band Radio, better known by the acronym CB radio. Originally started in the 1940's and used by truckers, these inexpensive radios also made various forms of chatter over the public airwaves possible. CB radio communication wasn’t private, but neither were old party line telephones which had only been phased-out in the last parts of the country just a decade earlier.

Partly because of the 1973 oil crisis caused by the OPEC Oil Embargo of that year, and a new, nationwide 55 mph speed limit meant to save U.S. fuel consumption, the use of CB radios served a genuine need. Truckers found their CB’s to be very valuable in to help organize blockades and convoys in protest to the newly-imposed 55 mph speed limit. CB’s helped truck drivers locate service stations that actually had fuel available for sale, and also to warn other drivers of speed traps ahead. Remember: GPS was unavailable outside of the U.S. military at the time. But CB's were really enabled by the advent of solid state electronics technology which emerged and became commonplace starting in the early 1970's, which also enabled prices of the radios themselves to plummet and made them feasible as a mass market item which was not possible previously.


CB radios also enabled drivers to alert and/or seek assistance in case of an emergency. Ordinary people soon discovered that CB radios were also a great way to find where to get the cheapest gas, plus communicating and cooperating with other drivers on the road. They were adopted by the masses as part of a temporary (but big) fad during that period of time. In fact, they had become so popular that more than 2 million CB radio licenses were issued in 1974 alone. Eventually, there were so many idiots clogging the CB airwaves that more channels were needed, so 40 channel models were released instead of just 23.

Along with this technology came adoption of common user protocols, most notably the use of the relevant lingo or slang that existing CB radio users were already accustomed to using. Virtually all of this originated with truck drivers. "Breaker 19" was a way to introduce yourself to the people tuned into channel 19, whereas "That’s a 10-4" meant everything was OK and you understood, and "What's your 10-20?" meant someone was asking what your location on the road was. A much longer list of CB radio slang is currently available online at http://en.wikipedia.org/wiki/CB_slang or at http://www.cbgazette.com/slang.html if you're interested in reading more.

But as the CB radio technology became more widespread, soon the unique vernacular made it made its way into pop culture, including in broadcast radio, movies, television, news and even pop music.

Handles were what people called themselves over the airwaves without giving out their real names. Anonymity made it easier to evade police enforcement for telling others about police speed enforcement locations. Handles were akin to what screen names were in the era of internet chat rooms which are also now history. In fact, even former First Lady Betty Ford got into the act back in the day, admitting to using the handle "First Mama," while voice actor Mel Blanc (known as the voices in many original Warner Brothers and later, Hanna Barbera cartoons) talked over the airwaves using the guise of Bugs Bunny or Daffy Duck!

In 1975, the country music singer Merle Haggard released a song called "Movin' On" about truck-drivers who put CB radios and the lingo associated with CB's into wider use. Also in 1975, a novelty, one-hit-wonder song performed by C.W. McCall (a pseudonym of Bill Fries) became a #1 song on both the country and pop charts in the U.S. That song was "Convoy".

A brief snippet of the song "Convoy" can be listened to below, or at http://www.madmusic.com/song_details.aspx?SongID=2829 — because of byzantine copyright laws, only a short segment of the song is available. YouTube has a licensed copy of the original track from the Mike Douglas Show at https://youtu.be/j3VN54M1OXA if you want something more.


Convoys were essentially huge lines of trucks that traveled together down the nation's highways (often at higher than the posted speed limits), usually in protest to the new slower speed limits and police enforcement of those new speed limits (it's tough for police to pull over and ticket dozens of trucks travelling the same high speed simultaneously, hence they were pretty effective). They were most prevalent along the vast, empty stretches of highway so prevalent in Western states, "Convoy" was also the theme song for an eponymous movie released under the same name. That song was, in fact, written by C.W. McCall and Chip Davis who were a couple of ad guys from Omaha, Nebraska — their song "Convoy" was actually written initially for an ad campaign they were doing for a bread company at the time — but the single managed to land on and spent an impressive 6 weeks at number #1 on the Billboard country charts, an indication of just how big the CB fad had become.

NPR had a brief segment in 2017 about the song "Convoy" which is only about three minutes in length, but is worth listening to below, or at https://www.npr.org/2017/06/06/531749486/the-legacy-of-convoy-how-a-trucker-s-protest-anthem-became-a-70s-hit. The link above also features a video link to the song "Convoy":

On television, we saw the CB radio subculture showed up in the broadcast news, and in regular programming.  For example, a television series "Movin' On" debuted in 1974 and ran to 1976 on NBC. The 1976 "Paul Lynde Halloween Special" on ABC (which, by the way, is currently available on Netflix, catch my blog about that TV special at http://hgm.sstrumello.com/2012/10/paul-lynde-1976-halloween-special.html for more) featured an entire segment about using a CB radio. In that segment, Paul Lynde was an 18-wheeled, white-pleathered rhinestone trucker. Tim Conway, best known for his comedic roles on the iconic "Carol Burnett Show" played his CB-buddy, while both of them fought over truckstop waitress Roz "Pinky Tuscadero" Kelly. She is remembered as someone who briefly starred as the Fonz's temporary girlfriend on the hit ABC sitcom "Happy Days" at the time.

By 1979, another NBC sitcom called "B.J. and the Bear" was introduced and that show ran until 1981. "B.J. and the Bear" was about a truck driver named B.J. (played by Greg Evigan) and his travelling companion, a monkey named "Bear" which featured routine CB radio usage, along with the then-popular CB lingo (catch a Retroist podcast about that particular TV series at https://archive.org/details/retroistbjandthebear for more info.). Again, CB radios were featured prominently in the show. Perhaps even bigger was the hit CBS TV show "The Dukes of Hazzard" (which also debuted 1979, running until 1985) and that also featured CB radios prominently throughout the series. CB radios were prominent throughout that show's six-season tenure as a means for the law-bending Duke brothers to avoid Sheriff Boss Hogg, Deputy Cletus Hogg, who was Boss Hogg's cousin and his dim-witted Deputy Sheriff Enos Strate. These days, due to the show's unapologetic romanticism of southern Confederacy (including a car named the General Lee) and the essential racism that drove it, that show is now rather limited in the rerun circuit, limited to a few cable stations such as CMT which has high viewership in the southern states that were home to the Confederacy.


On the big screen, there were several movies including "Smokey and the Bandit" (1977) which co-starred Burt Reynolds (he had already built a name for himself not for his acting but for being Cosmopolitan magazine's first-ever nude, male centerfold in 1972) and Sally Field plus Jackie Gleason and Jerry Reed. Of course, there was also the other big film "Convoy" (1978) which I previously noted. "Convoy" starred Kris Kristofferson — a Nashville singer-songwriter who was also, briefly, a pretty busy film star also willing to get semi-naked on screen, with one of his earlier starring roles in the award-winning film "Alice Doesn't Live Here Anymore" (1974) which was also the basis for a subsequent TV sitcom on CBS that starred Linda Lavin known simply as "Alice". Kristofferson would also subsequently co-star in the romantic drama reboot of the movie "A Star Is Born" (1976) with Barbra Streisand, for which he received a Golden Globe Award for Best Actor.

Like many things, the public fixation about CB Radios was definitely a genuine fad with its roots in utility. Today, the idea of CB radios seems more quaint than anything else, with mobile phones as portable, internet-connected devices being as ubiquitous and cheap as they are now. But, as noted, those simply weren’t around in those days, and car phones were prohibitively expensive and not at all portable, having to be hard-wired into the trunk of one's car and requiring a car alternator to power them, plus the service was controlled by the Ma Bell monopoly and prohibitively expensive, with metered, per-minute charges for every single call plus a hefty monthly service fee. That meant making only a few phone calls like that would exceed the prices people pay for 6 months of unlimited mobile service now, only without the internet.

I am of the opinion that even in 2020, mobile phones are still not exactly the pinnacle of modern technology (I wrote a post about how the iPhone did not kill the landline phone, the internet did, catch my post at http://hgm.sstrumello.com/2017/10/iphone-didnt-kill-landline-telephones.html for more), as they are first and foremost, one-on-one communications platforms (although internet connected apps may enable group platforms, such as Google Hangouts). The real benefit of a CB radio was that someone several miles ahead of you on a particular highway could warn you of upcoming traffic conditions, police activity, accidents, and most importantly: places where fuel was available, all of which you had yet to encounter on the road ahead. Hence, CB radios served a rather unique and useful purpose among truckers, plus CB's (aside from the initial purchase price) were free to use. CB radios had a range of about 3 to 20 miles, depending on the terrain. Originally there were only 23 channels, but subsequently expanded to about 40 stations. Police and firefighters used different radio bands that were not open to the public.

For whatever reason, the brief obsession with CB radios in the United States also likely stemmed from people’s desire to indulge their weird fantasies. This was in an era following the sexual revolution of the late 1960's and women's liberation. That's not to say that society wasn't still repressive, because it remained controlled by older people who were happy with the repressive 1950's. But CB radios provided anonymity for people to act as though they were someone else, plus is coincided with a public valorization of truckers and cops and people's desires of them (for women to be romantic with them, and for men to be like them).

As the MeTV blog best put it (catch its blog post at https://www.metv.com/stories/cb-radio-was-the-social-media-of-the-1970s):

"Instead of being relegated as a fleeting trend of the 1970s, perhaps CB radios were a precursor to the use of technology to create friendships and communicate anonymously with others." In other words, it was a precursor to modern social media, only it appeared 45 years ago!

The book "Whatever Became of Pudding Pops" which partially helped spawn this blog, wrote about the CB radio fad other the late 1970's and it was pretty interesting and entertaining reading. The chapter content was essentially as follows:

"Convoy"

Breaker one-nine, you got your ears on? Kids had no idea what CB chatter meant, but it sure was fun to pretend, holding a Romper Stomper to your mouth like it was a microphone and blabbing about "putting the hammer down" and "bears in the air."

We discovered the citizen's-band phenomenon when C.W. McCall recorded the 1976 hit "Convoy." You didn't have to understand the exotic new language (what in the world was a "cab-over Pete with a reefer on"?) to immediately fall in love with the romance of the eighteen-wheel lifestyle. "Convoy" told a classic tale of fighting authority, with the truckers crashing roadblocks and flaunting toll bridges.

Kids weren't the only ones who loved it. Adults started buying CBs for their Dodge Darts at such a frantic pace, the FCC doubled the number of available channels. Of course, no one knew any real CB lingo outside of the song lyrics, so real truckers had to suffer through listening to kids, desk jockeys, and housewives calling them "good buddy" until we grew sick of the craze and moved on to the next fad.

Today, the closest kids come to talking to truckers is when they pull an imaginary cord to try and get passing drivers to honk their horns. Still awesome? That's a big 10-4.

X-TINCTION RATING:
Gone for good.

REPLACED BY:
Cell phones made it much easier — if more dangerous — to communicate while driving, and personal radar detectors help modern drivers stay alert for smokeys.

FUN FACT:
C. W. McCall was the creation of a couple of ad guys from Omaha. Bill Fries and Chip Davis (who went on to launch electronic-music group Mannheim Steamroller) concocted the character and named him after McCall's magazine. The C. W. stood for country and western.

July 18, 2017

VW Mines Nostalgia Again With Planned Relaunch of its Bus as an Electric Vehicle

The Volkswagen "Bus" which was known officially known as the VW Type 2, while the original Beetle was known officially as the VW Type 1; and Volkswagen, to its credit, actually embraced the different nicknames for its designs in different markets, even using those nicknames in its advertising was officially launched in 1950.  It, along with models like the low-priced sports-car design known as the Karmann Ghia (which were sold from 1955–1974) were all immensely popular across the U.S. market.  The VW Bus, in particular, arguably peaked in popularity back in the late 1960's; the VW Bus was particularly popular during the counterculture movement of the 1960's and was iconic with many hippies, some of whom actually tried to live in their VW Bus, as well as had sex in, smoked marijuana and took LSD in these vehicles.  The VW Bus had become iconic with the hippie movement, although it continued selling in the U.S. until 1979.

The retro blog ClickAmericana has an entire page dedicated to some of the ads for the VW Bus/VW Type 2 sold in its later years (the 1970's) at http://clickamericana.com/eras/1970s/volkswagen-bus-ads-1977 which are worth looking at (I've featured one such ad here, and if you click on it, you will then be redirected to ClickAmericana's relevant webpage.


Notwithstanding the VW Bus association with now-elderly hippies, the VW Bus was also part of VW's early success in the North American market.  But following the ending of the Vietnam war, combined with the VW's discontinuation of the Type 1 model with the introduction of newer A1 model meant to replace the Beetle, which featured front-wheel drive and a water-cooled engine, branded as the VW Golf (initially sold under the VW Rabbit nameplate in the U.S.), although the Vanagon was the name given to its newer "bus" model in the U.S.) remained on the market for a few more years, but the era of the VW Bus, at least in the U.S., seemed to be over.

In the decades that followed, Volkswagen as a company had largely fallen off the radar of American car buyers.  The Golf, in spite of being one of the world's best-selling cars, was never a huge seller in the U.S., sales of the Jetta weren't great either, and sales of the Passat were also quite limited.  The Passat was simply too pricey for mass market American consumers, many of whom preferred Hondas/Acuras or Toyotas/Lexus cars.  Plus, many younger generations of Americans had absolutely no relationship with Volkswagen at all.  In fact, younger generations hardly even knew who Volkswagen was as a company.  Making matters even worse for Volkswagen were currency exchange rates (when the Deutsche Mark was still the currency of record for Germany).

Many writers have observed that the Germans at Volkswagen remain eternally frustrated with what they consider to be a peculiarity of the U.S. market, like the importance that U.S. buyers place on seemingly trivial items such as high-fidelity stereo systems and cup holders.  People in Germany believe that a car is for driving, not for concerts or picnics.  But Americans disagree wholeheartedly.  The conditions of American roads are abysmal, and there is no autobahn in the U.S., hence performance isn't always the most important factor considered in buying decisions.  Traffic in the U.S. is horrendous by German standards, and never improves -- and not just in Los Angeles or Houston.  These things make apparent niceties like sound systems important to making a daily commute from hell tolerable, something Germany has little experience with, with well-maintained roads and efficient public transportation.  Volkswagen, in spite of its success in Europe, has arguably struggled in North America, while smaller Swedish rival Volvo even managed to outsell VW in the U.S. at one point, which says a lot about Volkswagen's U.S. struggles.

The VW Beetle spent a few decades on hiatus (at least in the U.S.), before being resurrected in 1998 to positive reviews and sales.  The VW Concept 1, known as the "new Beetle" changed all that.  It was essentially a VW Golf under the hood, but the design was much truer to the original Beetle that many Americans had a fondness of.  Its design originated in California, but the quirky design evoked fond memories from Americans who drove the original VW Type 1 "Beetle", and became Volkswagen's most successful U.S. auto introduction in decades.  Many also hope that a new Karmann Ghia might emerge as well, though a few models do not guarantee ongoing success for an automaker, especially one that aims to remain one of the world's biggest.  The VW Bus, in different iterations, has attempted comebacks, but never seemed to gain the success it had in the 1960's.

Indeed, mass-market European automakers like Volkswagen have struggled in the U.S., although European luxury car makers including Germany's BMW, Mercedes-Benz and Porsche, Britain's Jaguar, Italy's Alfa Romeo, Ferrari, Lamborghini and Maserati have all succeeded because of their premium prices.  However, other mass-market European brands, including Fiat, Renault, Rover and others have had lengthy periods of time where the companies completely exited the U.S. auto market.  Yet Sweden's two automakers Volvo (and to a somewhat lesser degree, Saab) succeeded while bigger rivals from France and Italy failed mainly because they successfully created and then targeted lucrative niche markets -- mainly for safety.  Indeed, Sweden's carmakers have remained in the U.S. since they were first introduced.  It should be noted that in Sweden, Norway, Denmark and Finland, most of Volvo cars on the streets are small cars, not the big cars sold by Volvo in North America today.  Indeed, Volvo became one of the most successful, albeit niche, automakers anywhere in the world, keeping many Swedes in auto-making jobs for much longer than conventional wisdom suggested was even possible, let alone likely.

It's worth noting that Sweden's Volvo was part of a larger Swedish company that made a variety of industrial products (including aircraft parts, etc.) and the types of big trucks found transporting goods.  Volvo's automobile unit known as Volvo Cars has been under the ownership of the Zhejiang Geely Holding [Geely Holding] of China since 2010, when it was purchased from Ford Motor Co., but for decades before, Volvo succeeded selling cars despite its small size largely because its most widely-sold (and most expensive) car models' extraordinary safety records, which proved to be a very lucrative, profitable and unique "niche" market that had been largely ignored by other automakers.

With U.S. startups like Tesla aiming to claim the luxury market for electric sports cars, in June 2017, Volvo announced that by 2019, it would only make fully electric or hybrid cars.  To date, Tesla is a luxury car maker, while mass market manufacturers have moved more slowly on electric vehicles.

The U.S. history of automakers outside of Detroit's "Big Three" (GM, Ford and Chrysler, the latter of which has been owned by both Germany's Daimler Benz, and more recently, Italy's Fiat) has seen a history of failure against the big Detroit automakers.  Japanese automakers have proven the exception, rather than the rule.

For example, from 1954-1988, the company formerly known as American Motors Corp. (also known as "AMC", which itself was a descendant of the Nash-Kelvinator Corp. following its merger with Hudson Motor Car Company.  That company's origins were in Wisconsin, not Michigan, although executive talent necessitated relocation to the Great Lakes state.  For a time in the late 1960's to the early 1980's, AMC competed aggressively with GM, Ford and Chrysler, mostly with its rather peculiar car designs, including the Rambler, the Gremlin, the Pacer, the Matador and finally the Eagle.  AMC's best known auto brand endures under Fiat Chrysler, which is Jeep.  When Chrysler acquired AMC in 1988, it marked the end of Detroit's four major automakers.  After that, there were a few startups which did not last, most notably the DeLorean Motor Company (whose auto model DMC-12 was featured memorably in the "Back to the Future" movie trilogy, as the model of car made into a time machine by eccentric scientist Doc Brown, although the company had ceased to exist even before the first movie was made).  Tesla's long-term success remains unproven, although its push into electric sports cars has helped push Volvo and eventually, Volkswagen to pursue wider marketing of electric automobiles in the U.S.

That said, as of 2017, infrastructure limits for electric vehicles in the U.S. remain, including electric car recharging stations that have yet to see widespread adoption across the U.S.  But Volvo is not Volkswagen, and apparently Volkswagen foresees an opportunity to join Volvo in the move towards electric cars.  After all, the Swedes' ongoing success in the U.S. while Germany's auto giant VW has struggled, suggests that the Chinese-owned Nordic automaker might be onto something.  Adding to that, Volvo's new Chinese parents want to advance the technology for electric autos, and realistically, that's probably more likely to come from the West than it is from the Chinese mainland, although relevant components are likely to come from China.

Around the same time as Volvo's announcement, at the 2017 Detroit Auto Show, Germany's Volkswagen unveiled an electric microbus concept called the ID Buzz which was clearly meant to be a more modern successor to the old VW Type 2 or Bus as it was more popularly known.  The company also unveiled the new microbus concept at last year's Consumer Electronics Show.  An image of the new microbus, along with another graphic can be seen below.




Irish Times reported: "VW is playing the nostalgia card for all its worth with this concept car. The styling is a very simple update of the original Type 2, right down to the deep "V" shape in the centre of the front, which is now being used to replicate the effect of a smiley face. It couldn’t be more hippy if it tried."

The Street subsequently announced that VW actually plans to re-introduce by the hippy favorite as an all-electric vehicle with a driving range on its battery power of 270 miles which another media outlet reported a planned introduction by 2020.  Previously, the ID Buzz was merely a concept car.  However, the company saw similar success in the U.S. market with the introduction a new Beetle following a similar manner of introduction.  Quirky design style is also key to the company's success.

But while young hippies in the late 1960's fell in love with their VW Buses, it's far less certain that today's American youth will adopt the new VW buses as their transportation method of choice.  As of 2017, the Baby Boomer population has been declining (and will continue to as normal lifespans end), although Gen Xers remember seeing them on the road when they were growing up, but selling to and capturing the Baby Boomer nostalgia market segment no longer ensures success for companies.  And Millennials seem largely indifferent to automobiles, and as a generation, has one of the lowest incidences of driver's licenses of any group observed in decades.  Necessity, of course, may yet push some to get cars eventually.

But a report (an update to an earlier survey from 2014), from researchers at the U.S. Public Interest Research Group and the Frontier Group, shows that Millennials are far less car-focused than older Americans and previous generations of young people, and their transportation behaviors continue to change in ways that reduce driving.

While urban dwelling is a major factor behind the decline in car interest among youth, it's also a fact that many Millennials are being priced out of the very cities that they once flocked to en-masse (or aimed to move to, see HERE for more information on that).  Increasingly, more and more hipsters are migrating to nearby suburbs with mass-transit access, typically near suburban commuter rail lines and express buses.  The question is whether that suburban migration will bring more auto-buying, or whether car-sharing services like Zipcar and competitors will effectively address that need?  It's also possible that technology-driven solutions may prove even more compelling than electric cars by themselves (but car sharing of electric vehicles may hold appeal).  Many companies, including Alphabet's Google and countless others are pursuing self-driving cars, and we can realistically expect to see the established automakers pursue this as well, even though much of the early development is coming from Silicon Valley.

Nevertheless, as The Street reported, Volkswagen will indeed pursue its first electric vehicle, which just so happens to be its resurrection of the VW Bus that was so popular among young hippies.

Maybe we'll yet see a new version of the Volkswagen Karmann Ghia in the future?  Let's hope so!